A S K C A M I L L E
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Illustration by Zach Trenholm



Wisdom in a bottle:
"BINGE DRINKING" AND THE NEW CAMPUS NANNYISM


O Auntie Mame!

I once again find myself in the spin cycle over the latest phase of screaming campus hysterics: "Binge Drinking." Though I'm the first person to call the recent death of the Lousiana State University student at the center of this episode a real tragedy, the doting uber-mothers and fathers of Clean Campus Living are now on a new warpath -- probably since date rape and heterosexual AIDS have lost their novelty as crusades. Thankfully, I'm beyond their clutches, as I graduated from my university-cum-nursery school a couple of years back. My question to you, Madam Oracle, is: Do we need any more campus babysitting for "boys" and "girls" who 20 years ago, at their age, were considered very much ADULTS? Where's the common sense in these fools? Sounds like Carry Nation wields a sledge hammer, not an ax, these days! Quick -- Pass me the poppers!

Shaken, Not Stirred

Dear Shaken:

The cultural savvy of Salon readers is well-demonstrated by your raffish sobriquet alluding to one of my favorite scenes in "Auntie Mame," where Mame's schoolboy nephew perkily mixes a very professional martini for the flabbergasted banker, Mr. Babcock: "Stir, never shake--it bruises the gin!"

The authoritarian Big Mommy and Daddy who run the summer camps we call colleges can't decide what a student is these days: A thinking, breathing, exploring, risk-taking adult? Or a cash cow haltered and hidebound by the thick parental checkbook? I say let the herd out of the barn, and let the hooves fall where they may! Growing up means being allowed to take a tumble in your own dung.

The absurdity of the Louisiana State University case is that alcohol was banned on campus, as if the latter were in Puritan Salem rather than Xanadu Baton Rouge, La. Thus LSU students are forced to chug-to-the-max off campus to sustain their high and then endanger their lives and others' by driving home in a sodden state.

"Binge drinking" is a Dionysian response to Apollonian overcontrol of another area of life. I have always strongly opposed the draconian raising of the legal drinking age to 21 in this country, a highly politicized and infantilizing measure that deprived the majority of young people of their freedoms in order to constrain a tiny, careless minority responsible for traffic accidents.

Alcohol, with its ancient history and its standardized, quality-controlled modern commercial production, is far preferable to drugs or pills as a tool of youthful experimentation. Manipulation of mood and alteration of consciousness are important first stages in higher education -- as long as one is not destroyed by them. Identity is developed by a temporary dissolution of the mental structure imposed by parents, teachers and other adults. Creativity in the arts especially profits from that dangerous, exciting fluidity. Teetotalers may be the spine of the nation, but drinkers are its heart and balls.

European universities would never dream of meddling in their students' private lives. But American universities have reverted to "in loco parentis" (in place of the parent) -- the parietal rules and repressive oversight that my 1960s generation rebelled against and smashed. Administrators are locked in Machiavellian marriage with nosy, tuition-paying parents. Even the retiring president of Bryn Mawr College (a hotbed of p.c. feminism) recently complained to the Philadelphia Inquirer that today's parents won't let their children grow up and that they're overinvolved with micromanaging their Bryn Mawr daughters' lives by constant e-mail and phone calls.

It's not binge drinking that's the problem -- it's the banality and mediocrity of American higher education that produces students' desperate lust for gusto. I have certainly seen many talented people destroyed by alcohol and drugs. But as William Blake said, "The road of excess leads to the palace of wisdom."

My sympathies are with the orgiasts -- like Oscar Wilde, who quipped, "Work is the curse of the drinking class." And like Patsy Stone of "Absolutely Fabulous," whose Ivana-blonde image, with a vodka bottle plastered to her lips, is printed on one of of my favorite T-shirts. In vino veritas!

Dear Camille:

What is your take on the American South? By that I mean, what do you make of a former left-wing scholar like Eugene Genovese currently extolling the South, particularly the ante-bellum South, as a legitimate source of pre- (and perhaps post?) modern thought in America? Are writers like Fitzhugh and the Agrarians the antidote to milquetoast Anglo-American culture? Can the South still save us from the myopic Cartesian world of Descartes, Locke, etc.? Can this tradition unite the pre-modern pagan (I suspect you fall here, Camille), the pre-modern Christian, and the post-modernist? The South's instinctive rejection of abstract claims of equality, along with its praise of the martial arts, must place it somewhat near to your heart, no?

Lost in Atlanta

Dear Lost:

I appreciate your question, since I've just finished watching the double-video version of the restored print of D.W. Griffith's 1915 epic, "The Birth of a Nation." Like Leni Riefenstahl's masterful documentaries for Hitler, "Triumph of the Will" and "Olympia," Griffith's film is an example of a technically pioneering and cinematically brilliant work that is difficult to admire because of its blatant racist ideology.

Based on a novel and play called "The Clansman" (as in Ku Klux Klan), "The Birth of a Nation" is historically significant because it captures the intense political resentments of the defeated South that have never entirely gone away, despite the passage of so many generations. The Kentucky-born son of a Confederate Army cavalry officer, Griffith took his father's angry view of the Civil War and its economically chaotic aftermath and was genuinely bewildered by the NAACP-organized protests against his commercially successful major film.

My own personal experience of the South has been limited to driving by car several times with my family to visit relatives in Florida. These trips were made in the mid- to late-1950s before the construction of the vast interstate superhighways, so that we slowly went from town to town along old roads that gave us a gritty sense of everyday life.

As Italians, we were aliens, and we were made to feel it. In fact, our New York State license plates (we were living in Syracuse) were apparently interpreted to mean "Jewish" -- so our trips provided a surprising lesson in anti-Semitism as well.

My brief glimpses of Southern black life were chilling -- the toilets and water fountains marked "Colored" and "Whites Only"; the ramshackle, one-room roadside houses with walls of ancient, weatherbeaten planks whose see-through gaps let in the wind and rain. Forty years later, I can still feel my vague panic at imagining what it was like to have been trapped in those circumstances.

Mixed up with these anxious impressions was the overwhelming sensuality of the torrid Southern heat, the humid haze hanging over the dusty fields, the acrid smell of Spanish moss that draped from overarching trees. And then the abundant, luscious food -- spicy, vinegar-tart pulled-pork barbecue; delicately herbed, batter-fried chicken; thick-cut home-cured ham and bacon; hot biscuits and grits running with farm-fresh butter; bulging mesh sacks of sweet, fragrant Georgia pecans in the shell, sold along with fireworks and Confederate flags at highway stands.

The South, with all its complex permutations from inbred mountain hollers and hard-scrabble red-clay family farms to ancestral tidewater estates and stately Greek Revival plantation mansions, is obviously a closed realm of its own, haunted by ghosts of the past. Its most acclaimed literature is characterized by a persistent gloomy atmosphere of Gothic decadence, from Edgar Allan Poe to William Faulkner and Tennessee Williams.

I've often wondered if it was the theory of decadence in my own book, "Sexual Personae," that led to its quick acquisition by the great Yale University Press editor, Ellen Graham, a stately Southerner of the formidable iron-magnolia school, who saw something in the bulky manuscript that others didn't (it had been rejected by seven publishers and five agents). Southern women of every social class seem to have a toughness, resilience, and verbal brio that put whiny Northeastern feminists to shame.

The Agrarian sensibility that you cite shaped the New Criticism, which began in the 1930s and dominated American literary studies from the 1940s through the late 1960s, when I entered graduate school. Cleanth Brooks, a classic Southern gentleman and premiere New Critic, stressed formalistic internal analysis of the text. In college, I detested Brooks' famous book, "The Well-Wrought Urn," for what I regarded as its sentimental, namby-pamby, desexed, high Protestant moralism. Brooks was one of the principal implicit targets of my doctoral dissertation (also called "Sexual Personae"), with its deliberately lurid pagan themes.

Three decades later, after the atrocities of jargon-filled, nakedly careerist poststructuralism and postmodernism, I have a quite different view of Brooks and his fellow critics. They were honest, ethical, deeply learned men who genuinely loved literature and who had a Southern feeling for nature (the material frame of existence ignored by the solipsistic school of Foucault).

It's also obvious that, over the same 30 years, American politics has slowly shifted away from the Northeastern patrician establishment (Harriman, Rockefeller, Kennedy) and big-city bosses (Chicago's Mayor Richard Daley), first toward the Southwest and California (Goldwater, Nixon, Reagan) and now toward the South (Clinton, Gore, Gingrich).

The tail-between-his-legs withdrawal of Joe Kennedy from the Massachusetts gubernatorial race last week -- as well as the recent shameful midterm resignation of Staten Island's U.S. Representative Susan Molinari to become a TV host -- dramatizes the Northeastern demoralization and decline.

The consequences of the present cultural shift toward the New South will not be fully understood for many years. While the Northeast may be intellectually and spiritually bankrupt, there may also be reason to worry if the South's legacy of stirring visions and grisly nightmares becomes national property .

Dear Camille:

As a military man, I have followed the recent battles over the admittance of women to the Citadel and Virginia Military Institute with great interest. I am generally opposed to their admittance, but not necessarily for the reasons one might think -- that I am some Neanderthal misogynist. On the contrary, I find that most of these test cases result in a lessening of standards in order to accommodate the egalitarian mindset which says that anyone can do anything if they only set their minds to it (and heaven forbid if we were to hurt their self-esteem if we tell them that they can't after all!).

An example would be the army's current physical fitness tests where women receive the exact same score as men for doing considerably less push-ups or sit-ups. Unfortunately, a fin-stabilized armor-piercing discarding sabot round for a M1A1 tank weighs the same whether it is "person"-handled by a man or a woman. As a result of misguided policy, organizational effectiveness is held hostage to social-policy whimsy. Any thoughts on the subject?

Colonel Bob

Dear Colonel Bob:

I'm very happy to pass along to Salon readers your vigorous protest against the out-of-control political correctness of the Pentagon hierarchy, who are indeed compromising military readiness in their zeal for misguided social experiments. Woman's advance in society, which is the proper aim of feminism, should not take precedence over the nation's defense.

The sexual double standard now tolerated in physical fitness tests (in fire departments as well as the military) is a reactionary embarrassment. Women under fire in a real war would have to do a lot more than push computer buttons.

In this relatively recent period of American dominance (the United States wasn't even a world player until after World War One), misty-eyed liberals imagine that wars are a thing of the past. But history shows that war regularly breaks out and escalates over border disputes, ethnic rivalries, and imperial ambitions.

All it would take for global politics to veer toward disaster is a protracted climate change (caused by a serious weather shift or a Krakatoa-size volcanic eruption polluting the atmosphere), which would reduce food production and destabilize the economy. Law and order are far more fragile than liberals like to think. Unchecked police power certainly leads to abuses (as in the outrageous recent torture of a Haitian immigrant in a Brooklyn police station), but a strong military deserves unanimous support from across the political spectrum.
Sept. 2, 1997

Bewitched, bothered and bewildered? Ask Camille.


A R C H I V E S

Is marriage headed for the trash can of history? (08/19/97)
The Invasion Of The White Girl Robots (08/05/97)
Of Versace and killer prom queens (07/22/97)
Who is really to blame for the historical scar of black slavery? (07/08/97)
The Phallic Guns of July (06/24/97)

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